Showing posts with label #HarperCollins. Show all posts
Showing posts with label #HarperCollins. Show all posts

Tuesday, September 24, 2024

Release Day Tour Stop: In The Garden of Monsters

 


IN THE GARDEN OF MONSTERS

Author: Crystal King

ISBN: 9780778310570

Publication Date: September 24, 2024

Publisher: MIRA Books

 


A Goodreads Most Anticipated Historical Fiction Book of Fall 2024

“A sinister romance and hypnotic Gothic fairytale—surreal and luscious with a fascinating twist on the story of Hades and Persephone.” —Jennifer Saint, bestselling author of Ariadne

A woman with no past. A man who seems to know her. And a monstrous garden that could be the border between their worlds…

Italy, 1948

Julia Lombardi is a mystery even to herself. The beautiful model can’t remember where she’s from, where she’s been or how she came to live in Rome. When she receives an offer to accompany celebrated eccentric artist Salvador Dalí to the Sacro Bosco—Italy’s Garden of Monsters—as his muse, she’s strangely compelled to accept. It could be a chance to unlock the truth about her past…

Shrouded in shadow, the garden full of giant statues that sometimes seem alive is far from welcoming. Still, from the moment of their arrival at the palazzo, Julia is inexplicably drawn to their darkly enigmatic host, Ignazio. He’s alluring yet terrifying—and he seems to know her.

Posing for Dalí as the goddess Persephone, Julia finds the work to be perplexing, particularly as Dalí descends deeper into his fanaticism. To him, she is Persephone, and he insists she must eat pomegranate seeds to rejoin her king.

Between Dalí’s fevered persistence, Ignazio’s uncanny familiarity and the agonizing whispered warnings that echo through the garden, Julia is soon on the verge of unraveling. And she begins to wonder if she’s truly the mythical queen of the Underworld…

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Excerpted from In the Garden of Monsters by Crystal King © 2024 by Crystal King. Used with permission from MIRA/HarperCollins.

Prologue 

Bomarzo, Italy, 1547–1560

 

It took me years to find Giulia Farnese, but no time at all to win her confidence. I did so with an unassuming cherry rose tart. It had been nearly a hundred years since I last looked upon her face, but from the moment she pulled the golden tines of her fork away from her lips and she looked to me, not her husband, I knew my influence had taken hold.

 

“You truly are a maestro, Aidoneus,” she said, closing her eyes to savor the sweet, floral flavors. “And a welcome addition to our kitchen.”

 

“Madonna Farnese, you flatter me.” I gave the couple a polite bow, my gesture more fluid than human custom, and turned back to my earthly duties.

 

“It seems you will eat well when I am gone,” Vicino joked behind my back. “But don’t eat too well, my beauty, or you won’t fit into those lovely dresses.”

 

Giulia laughed, and my heart warmed. Oh, she would eat well, I vowed. Very well.

 

* * *

 

The next day, as Vicino Orsini gave his wife a peck on the cheek and vaulted onto his horse, I watched from the rooftop terrace, my gaze lingering on the horizon where earth met sky—a threshold I knew all too well. Then, with a flick of the reins, he led his men down the road into the valley. They were headed to Venezia to escort the Holy Roman Cardinal, Pietro Bembo, to Rome. Afterward, Vicino would depart for Napoli and Sicilia on business for Papa Pio IV.

 

Jupiter had blessed the region of Lazio with a warm spring, and a week after Vicino left, Giulia asked me if I wanted to take a walk. I suggested we explore the wood in the valley below the palazzo. She readily agreed, which did not surprise me. It was impossible for her to ignore the aphrodisiac qualities of my food, let alone the timbre of my voice, and the brush of my hand against hers. The first time she startled at my warmth— no human runs as hot as I—but she did not ask me to explain. In all the centuries past, she never has. This alone stoked the fire of hope within me.

 

She led me on a thin path through the verdant tapestry of the forest, where sunlight, diffusing through the emerald canopy, dappled the woodland floor with patches of gold. Beneath our feet, a carpet of fallen leaves, still rich with the scent of earth, crunched softly. We moved through clusters of ancient evergreen oaks, their gnarled limbs reaching out like weathered hands, and past groves of squat pomegranate trees with their ruby-hued fruits catching the sunlight and casting a warm, inviting glow.

 

Upon reaching a clearing surrounded by several large tufa stones jutting up through the grass and weeds, I was immediately drawn to one of the stones embedded in the hillside. The exposed side was round and flat, and it hummed, a song of the earth, a low vibration that warmed the deepest depths of me.

 

Giulia could not hear the humming, but she was surely aware of it in some hidden part of her, for she turned to me then.

 

“I love this wood,” she said, her arms outstretched toward the stone. The early morning light brightened her features, making her blue eyes shine.

 

“I can see why.”

 

She twined her hand in mine. “I come here often to bask in the feeling. The moment I arrived in Bomarzo, I felt like I had been called home, to my true home. And this wood, this is why. It re-minds me of a fairy tale, or a place from the ancient, heroic myths.” It was then that I had the idea. The stone—it hummed be-cause the veil to the Underworld was thin there. Perhaps…yes… if the wood was enhanced, and energy from the darkness was better able to pierce the surface into this realm I would no longer have to spend years attuning to Giulia when she reappeared in the world. Instead, she would be drawn closer, and I would find her faster. It would work. I was sure of it.

 

“Vicino doesn’t like me walking here alone. Too many wolves and bears, he says.”

 

I could sense a wild boar in the far distance, but no wolves or bears. “I think we’re safe here.” I gestured toward one of the big misshapen rocks. “Sometimes I like to imagine rocks as mythical creatures. Like that one. It could be a dragon poised to fight off danger.”

 

“Ooo, I can see it. The big open mouth, ready to take on any wolf, or even a lion.” Her enthusiasm was exactly what I had hoped for.

 

I waved my arm toward the large, round, smooth rock be-hind it. “And that should be a great big orco, with a mouth wide open. And it eats up and spits out secrets.”

 

“An ogre that spits out secrets?” Giulia laughed.

 

“Oh yes. This orco would tell all. Ogni pensiero volo.” I made my hands look like a fluttering bird.

 

She wore a wide grin. “All thoughts fly! How perfect. But if he eats up secrets, there should be a table inside this orco. It could be his tongue.”

 

As we wandered through the wood, dreaming up new lives for the monstrous rocks left eons ago by a force of nature, I was delighted to see how invested she was in the game.

 

“There are so many stones,” she said, clapping her hands together. “We could make a whole park of statues. I will write Vicino tonight.”

 

I did not expect it would be quite so easy. Usually it took a long while to convince Giulia of the merit of my ideas. But the pull of the Underworld was strong here and my influence was far greater than it would have been in Paris, or some backwater hill town in the wilds of Bavaria or Transylvania.

 

On the walk back, she paused by another enormous stone that jutted out of the ground, the size of a giant. She leaned against it. “Can you keep a secret?” she asked coyly.

 

“Of course.”

 

“This secret is only for you.” She leaned forward and grasped the edge of my cloak, pulling me toward her. Our lips met and she melted into me. 

 

In the years following, as Vicino began work on the garden, a change was palpable in the air. Each evening, as the twilight deepened, a subtle energy began to emanate from the heart of the valley. I found contentment not just in the evolving grove, but also in my closeness to Giulia. Our time together, so abundant and intimate, felt different. I had never waited so long to make my attempt, but I nurtured this earthly bond, knowing it was essential for the garden’s growth.

 

The day finally arrived when Vicino ushered Giulia into the heart of the Sacro Bosco—the Sacred Wood—the name he had fondly bestowed upon the garden. As she crossed the threshold, I sensed it—a strengthening of our connection, more profound than ever before. It was time.

 

That night, the chicken with pomegranate sauce I prepared was met with Giulia’s usual lavish praise, although I knew she took in the single pomegranate seed garnishing the dish as a courtesy, not a desire for the fruit. As she savored each bite, I felt a loosening in the ethereal shackles binding her heart. A vivid, red-hued hope blossomed within me.

 

Post dinner, I retreated to the palazzo’s highest balcony, my gaze drawn to a nascent light in the wood below. The light, though barely perceptible, was imbued with a power that seemed to bridge the realms of mortal and divine. A faint green luminescence that whispered of unwanted things to come. It pulsed like a languid heartbeat, beckoning to something—or someone.

 

I was immediately compelled to find Giulia. Amidst the soft murmur of the salon where she played with her children, I enveloped her in my senses and the flower of hope within me withered. Her heartbeat, steady and unsuspecting, echoed the rhythm of the garden’s glow.


Author Bio: 

Crystal King is the author of In The Garden of Monsters, The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert, and has taught at multiple universities including Harvard Extension and Boston University. She resides in Boston. You can find her at crystalking.com.


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Monday, May 6, 2024

Tour Stop: The Library Thief by Kuchenga Shenje

 


THE LIBRARY THIEF

Author: Kuchenga Shenjé

Publication Date: May 6, 2024

ISBN: 9781335909695

Hardcover

Publisher: Hanover Square Press

Price $29.99

 


The library is under lock and key. But its secrets can't be contained.

A strikingly original and absorbing mystery about a white-passing bookbinder in Victorian England and the secrets lurking on the estate where she works, for fans of Fingersmith and The Confessions of Frannie Langton

 

1896. After he brought her home from Jamaica as a baby, Florence's father had her hair hot-combed to make her look like the other girls. But as a young woman, Florence is not so easy to tame—and when she brings scandal to his door, the bookbinder throws her onto the streets of Manchester.

Intercepting her father's latest commission, Florence talks her way into the remote, forbidding Rose Hall to restore its collection of rare books. Lord Francis Belfield's library is old and full of secrets—but none so intriguing as the whispers about his late wife.

Then one night, the library is broken into. Strangely, all the priceless tomes remain untouched. Florence is puzzled, until she discovers a half-burned book in the fireplace. She realizes with horror that someone has found and set fire to the secret diary of Lord Belfield's wife–which may hold the clue to her fate…

Evocative, arresting and tightly plotted, The Library Thief is at once a propulsive Gothic mystery and a striking exploration of race, gender and self-discovery in Victorian England.

 

Buy Links:

HarperCollins: https://www.harpercollins.com/products/the-library-thief-kuchenga-shenje?variant=41109244739618

BookShop.org: https://bookshop.org/p/books/the-library-thief-original-kuchenga-shenje/20641408?ean=9781335909695

Barnes & Noble: https://www.barnesandnoble.com/w/the-library-thief-kuchenga-shenj/1144095064

Amazon: https://www.amazon.com/dp/1335909699/keywords=fiction


Excerpted from THE LIBRARY THIEF by Kuchenga Shenjé. Copyright © 2024 by Kuchenga Shenjé. Published by Hanover Square Press, an imprint of HarperCollins.


The story starts with a scandal that I thought would end my life. Fortunately, my scandal didn’t kill anyone. In fact, it pales in comparison with what I went on to discover at Rose Hall.

Thus far, the way I see it, in any good life you need to die several times to really lead a life worth living. There are little deaths and there are big deaths. My tale has both—and the real tragedy would be if this story were to die with me.

I was lying when I swore I would take this secret to my grave. I had no right to promise that.

*

 

 

Granger’s Bookbinders,

143 Long Millgate,

Manchester,

 

Rose Hall,

Lancashire,

November 20, 1896

Dear Mr. Granger,

I trust this note finds you in good health and that business is as steady as when last we met some years ago.

I write to you with an unusual commission. I will not trouble you here with the details of my current circumstances. Since the untimely death of my beloved wife, Lady Persephone, it seems the fates are in conspiracy against me. Suffice it to say that I find myself now in need of your excellent services and on a far grander scale than before.

 

The library at Rose Hall is, as you are aware, extensive. I am proud of the rarity and quality of the books it now houses, a collection that I have painstakingly curated over many years. I now find myself in the unhappy position of seeking a buyer for my collection. Many of the books, due to their age and mishandling by less cautious owners, are badly in need of restoration. There are perhaps some two hundred such artifacts. The nature of my circumstances make it necessary that this work be carried out to the highest quality and with the greatest rapidity. Since no bookbinder in the North West possesses skills equal to yours, I thought of you at once.

Please inform me as soon as you are able whether it is within your means to accept such a commission.

Your obliged and affectionate friend,

Lord F. Belfield

 


 

 

1

 

I fell in love with the feel of the cotton before I fell in love with the books. Leather felt too masculine and reptilian. Cloth was so much warmer and didn’t slip out of my hands as easily. As a child I played underneath the tables and made toy families from the scraps that fell at my father’s boots.

He would never talk to me about where the cloth we used came from, nor the contents of the books we worked on. There were a lot of things my father wouldn’t tell me, and rather than keeping me ignorant, his silence made me more curious. And fortunately, I was surrounded by the means to nourish that cu­riosity.

Most of the time we spent together as I grew up was in si­lence, folding, beveling and smoothing. I sometimes wished my fingers could be as thick as his; he didn’t grimace when school­ing leather and cloth into precise lines under his digital tute­lage. I tried to be like my father, but all the books he left lying around gave me opinions.

 

 

* * *

I arrived at the front door of Rose Hall looking more ragged than I would have liked. My breath was far from fresh, and the hair pins and clips I had used to imprison the frizzier strands had been loosened by the bumps of the rickety carriage. I had been dropped at the top of a tree-lined drive that was at least a quarter mile long, if not more. The December mists obscured my vision, and I could only just make out the shape of a grand house, the likes of which I had only really seen on biscuit tins in the windows of Manchester’s new department store, though I had imagined them as I read Brontë, Austen and Radcliffe. Even with the curls of mist in the air, I could tell this was a very English dwelling. As I approached it my feet slipped and shifted on the gravel, unused to navigating such terrain after only walk­ing on cobbled streets and across wooden floors.

Lord Francis Belfield of Rose Hall had been my father’s long-standing customer. He was the only man I’d ever seen look lux­urious without any air of pomposity. The men of Manchester were not known for wearing velvet, so the sheen of his jackets always marked him out as distinguished. It felt completely fit­ting that Rose Hall was an ode to symmetry and a more taste­ful example of the grandiosity of the mid-eighteenth century. It was an early Georgian home of Lancashire sandstone. Even though my father hadn’t mentioned it, the period of the build­ing’s erection and the mercantile success of Lord Francis Belfield were all I needed to know to deduce that the building and its grounds had been purchased with plantation wealth.

I knocked on the forest-green door and left my suitcases on the ground, hoping that looked more elegant than being strained down by the weight of my clothes, books and binding tools. In my pocket, my fingers found the folds of Lord Belfield’s let­ter. I inhaled, recalling once more the story I had so carefully rehearsed.

The door opened and a pair of prominent blue eyes glared at me through the crack. “Well?”

“Miss Florence Granger for Lord Francis Belfield, please.”

I took in the lines, too many for the face of someone who was still clearly a young man. The hand holding the door open was rough and calloused.

“He is expecting me,” I added.

“No ’e is not.”

I blinked, having not expected resistance this soon.

“I assure you I arrive here at the request of Lord Belfield him­self. I am from Granger’s of Manchester.”

The door widened and there stood a long-limbed boy of no more than twenty. His movements were almost feline. The way he handled the door without effort despite its apparent heavi­ness was quite a marvel.

“We are bookbinders. I’ve been sent to care for your master’s collection.” I retrieved the letter from the pocket of my coat and held it out.

He made no move to take it, but instead chewed his bottom lip, realizing there was truth to my words but clearly uncon­vinced by me. A female tradesperson at the door to Rose Hall was probably not a common occurrence.

“Young man, I excuse you of your impertinence, but I have been traveling for some hours and would like to rest,” I told him, trying a sterner approach. “Please fetch your master.”

“’E don’t rise before midday most days anymore. You can wait in the kitchens, if you like.”

Now it was my turn to falter. I had no way of assessing how appropriate this was. Should I be seated in the parlor? If I al­lowed myself to be taken to the kitchens, was I aligning myself with the downstairs staff? I was an artisan, not a servant. But a sharp ripple through my stomach made the decision for me.

“Very well, so long as your offer comes with a cup of tea.” I sighed and crouched down to pick up my suitcases.

“No, m’lady. I’ll tek those.”

He ushered me into the reception hall, lifting my bags up to his sides as if they weighed nothing at all. The door chuffed itself closed behind us with a low groan. The darkness of the perimeter indicated that there was no draft coming through, nor a single sliver of light. A curtain hung to the right of it and the man gave it a sharp tug. It concealed the entrance entirely once pulled across, an odd choice. It gave the sense of being sealed into the house somehow—not being able to see where one could escape.

Stepping into the hall, I was compelled to look up. It was a huge atrium, with dark green textured walls and candles placed at regular intervals which gave the illusion of a warm, close space. He led me over a black-tiled floor, underneath a vast yet delicate brass chandelier aglow with coppery bulbs. At the back of the hall, under the bifurcated staircase, he opened a hid­den door which led down to the kitchen. Before I had reached the bottom the herbaceous and deeply woody smells of the kitchen came wafting up to greet me. It was divine. But when we reached the flagstoned room I saw there was nothing on the stove; I could only imagine that months of cooking in a room with such small windows had baked the scent into the walls.

I was seated at a wooden table facing an array of copper pans and white jugs with the high windows behind me. It was clearly a kitchen intended for many staff, but there was none of the ex­pected bustle. Where was everyone? I shifted uncomfortably as I cast about for something to say, before realizing that I didn’t know the young man’s name.

“What is your name?”

“Wesley.”

“Wesley what?”

He gave me a strange look. “Bacchus. Wesley Bacchus. I’m the footman.”

He was telling me that as a footman, his surname did not matter. Of course there was no reason that I, as a craftswoman, should know the intricacies of these hierarchies, but I sat in si­lence, not wanting to betray myself further by speaking again.

I was grateful when the cook came in some minutes later—from a pantry, I imagined—but she barely looked in my direc­tion, merely banging a pan of water onto the stove. My stomach growled something fierce when she entered, almost as if my belly knew that I was meeting the person in charge of feeding the house.

I waited for her to acknowledge me, while Wesley contin­ued to look on with a smile playing about his lips. But she only retrieved a mug and a caddy, before placing a steaming tea in front of me with a snort. My shoulders slumped. I hadn’t ex­pected to be treated as a lady, but had hoped for at least some respect. Would my father have received such a poor greeting? I sipped the tea, grateful for its sweetness and warmth as the cook clattered about with her back to me. As I finished, she returned to the table with a thick slice of ham sandwiched between two slices of bread. There was also a large apple on the plate and in her other hand was a pewter cup of water. She’d clearly heard my stomach. But her face showed no compassion as she laid the blessed offering on the table.

With one last assessing glance at me, Wesley left, and the cook returned to the stove, making it clear she had no intention of speaking to me. I decided I could forget my manners just as she had hers, and devoured the most delicious meal I’d had in weeks. Salty ham on pillowy bread, with a delightfully sour apple and water that tasted like it came from the purest spring to cleanse my palate. After greedily wiping the crumbs off the plate with one of my fingers, I took out A Christmas Carol from my coat pocket and started reading until the words on the page began to blur. The beast of a carriage I had traveled in overnight had creaked with the strain of being drawn up even the slightest in­cline. Combined with the cold that jolted me from slumber, I had only been able to sleep in fits and bursts.

I awoke, suddenly, with my head on my crossed arms in front of me and my wrist soaking wet from my dribble. The plate and pewter cup had been taken away and Wesley was standing above me, a mocking smile about his thickish lips.

“I’m sorry to wake you, Miss. Lord Belfield says he’ll see you now.”

Wesley led me back upstairs, and down a corridor. As we passed a tall, gilded mirror, I stopped, horrified by my reflec­tion. My hair, after only days left to its own devices, was now once again completely untamed. My eyes were bloodshot with fatigue and my skin was pale, making my freckles stand out. Hastily, I tried to force my frizzed hair back beneath its pins as Wesley stopped too. He watched me with amusement until I had done the best I could, and we continued on our way.

I thought back to the last time I had seen Lord Francis Belfield. His best features were his long fingers, which were always en­cased in tight kid gloves that he never took off. Oh, and the smell of him! Rich pepper with a botanical soapy undertone, which always impressed me. Not in a way that would make me swoon. He’s not the kind of man a girl like me is meant to fall in love with. No, what I felt was awe. A man of his fortune had surely seen more of the world than most. He’d have tales of Saint Petersburg, Constantinople and Siam. If only I could ask him. The need to convince him of my employability made doing so inappropriate.

The door opened onto the parlor, and immediately I could see that the man I remembered from our shop was very dif­ferent from the man who sat in front of me. He was wearing a turmeric-colored silk waistcoat embroidered with indigo plants, paired with dark trousers. He had clearly dressed hastily, and a thread toward the bottom of his trousers was loose and trailing on the floor by his feet. I inhaled deeply but could not catch the spiced vegetal scent that usually accompanied his presence. He was much thinner than when I had last seen him, and his eyes drooped as if he had suffered many a sleepless night. He stood up from his seat to shake my hand but returned to it quickly as if he couldn’t bear to hold himself up for too long.

“My name is Florence Granger, sir,” I began, but he waved a hand.

“Yes, yes, I remember you. But why has your father sent you all this way without an escort? It must have been a fright­ful journey.”

“Oh, no, Lord Belfield. The journey was fine.” I cleared my throat to make space for the bigger lie. “My father sent me to complete the work on your collection that you requested.”

He looked at me aggrieved. Offended, even. The way his fore­head crumpled made me more aware of the thinning hair at his temples. Even disheveled, he was no less handsome. However, I pondered whether he might feel a sense of loss for the way he used to look. On my previous viewings of him, he looked like someone who was used to being seen and spoken of as a very handsome “young” man. Although he wasn’t superbly weath­ered, he now had the face of a man who had endured. A sad wisdom brought the tops of his eyelids a little lower. His jaw­line was a bit less tenderly set because his teeth were more used to being gritted together from stress. I supposed it was grief. He had lost his wife less than a year before, after all, leaving him with only his son.

“Why on earth would he do that? This hasn’t even been dis­cussed. Had he accepted the commission, I would have had the books sent to Manchester.”

Ah. This I had not considered. I remembered the words on the letter. I was sure that it was an invitation to stay and restore the library. My mouth was dry as I prepared my next lie.

 

Author Bio: 


KUCHENGA SHENJÉ is a writer, journalist, and speaker with work on many media platforms, including gal-dem, British Vogue and Netflix. She has contributed short stories and essays to several anthologies, most notably It’s Not OK to Feel Blue (and Other Lies), Who’s Loving You and Loud Black Girls. Owing to a lifelong obsession with books and the written word, Kuchenga studied creative writing at the Open University. Her work is focused on the perils of loving, being loved and women living out loud throughout the ages. The Library Thief is the ultimate marriage of her passions for history, mystery and rebels. She currently resides in Manchester, where she is determined to continue living a life worth writing about.
 

 

PRAISE: 

“Shenjé rightfully joins a distinguished line of authors who love books and secrets and know exactly how to combine the two.”—Booklist

 

"A tantalizing read that swells with secrecy and intrigue. It's hard to believe that Kuchenga Shenjé writes of the past, and not of the present. A beautifully and skillfully written debut."—Candice Carty-Williams, bestselling author of Queenie


"Shenjé shines a light on LGBTQIA+ love and people of color in Victorian England... Fans of Sarah Waters and Bridget Collins might have in Shenjé a new author to add to their TBR lists."—Library Journal

 

"Powerful, sagacious and warm, The Library Thief is both a gripping, multi-layered mystery and a gorgeously absorbing novel that demanded I return to its pages whenever I had the audacity to set it down. Without a doubt, Shenjé's wholly original debut has bestseller written all over it."—Joanne Burn, author of The Hemlock Cure
 
"A compelling novel that starts as a mystery and grows into a coming-of-age story, examining identity, belonging, loneliness and friendship within the restrictive and stifling world of late Victorian society. The Library Thief is filled with fantastically drawn characters and with a love of books that shines through the prose."—Katie Lumsden, author of The Secrets of Hartwood Hall

 "If this book's a thief of anything—it was my attention. I was hooked, the story opening with the tantalizing traditions of a gothic mystery and then unfurling in unexpected directions, threading themes of identity, sexuality and a woman's impossible choices into an intricate web of mysteries that would not let me go."—Cari Thomas, international bestselling author of Threadneedle

 


Tuesday, April 2, 2024

Winter Blog Tour Stop: The Book of Thorns by Hester Fox

 


The Book of Thorns

Author: Hester Fox

Publication Date: April 2, 2024

ISBN: 9781525812019

Publisher: Graydon House, Trade paperback original

Price (US) $18.99



An enchanting tale of secrets, betrayal, and magic…

Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and lacking options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her near-magical ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion. For behind Cornelia’s vast knowledge of the natural world is a secret she keeps hidden—the flowers speak to her through a mysterious connection she has felt since childhood. One that her mother taught her to heed, before she disappeared.

Then, as Napoleon’s army descends on Waterloo, the flowers sing to her of a startling revelation: a girl who bears a striking resemblance to Cornelia. A girl she almost remembers—her sister, lost long ago, who seems to share the same gifts. Determined to reunite with Lijsbeth despite being on opposite sides of the war, Cornelia is drawn into a whirlwind of betrayal, secrets, and lies. Brought together by fate and magic at the peak of the war, the sisters try to uncover the key to the source of the power that connects them as accusations of witchcraft swirl and threaten to destroy the very lives they’ve fought for.

 

“The Book of Thorns is a gentle, magical tale of hope and healing in the midst of war. Fox does not hide from the fact that for all the romance surrounding Bonaparte’s exploits, nobody who fought at Waterloo came out unscathed, whether they were breathing by battle’s end or not. But Fox also reminds us that, even in fields tilled by cavalry charges and fertilized with gunpowder, flowers can grow.” –BOOKPAGE

 Buy Links:

HarperCollins: https://www.harpercollins.com/products/the-book-of-thorns-hester-fox?variant=41079517413410

BookShop.org: https://bookshop.org/p/books/in-the-season-of-violets-original-hester-fox/20070119?ean=9781525812019

Barnes & Noble: https://www.barnesandnoble.com/w/the-book-of-thorns-hester-fox/1143567257

Amazon: https://www.amazon.com/Book-Thorns-Novel-Hester-Fox/dp/1525812017/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Sneak Peek Excerpt:

CORNELIA

BEGONIA: a favor repaid, a warning foretold, a promise delivered in darkness.

Sussex, England, February 1815

I can feel Betsy watching me from the doorway.

She hovers like a bee, rehearsing some small speech in whis­pers. I pretend not to notice her fidgeting and instead focus on the vase of narcissi before me, the weight of my pencil in my hand. Betsy clears her throat, twice, but I am already arcing out the path of the dainty stems and unfurling petals. There is some­thing calming about reducing the flowers to splashes of grays and blacks, finding beauty in the absence of light.

Betsy lets out a throaty cough. “You might as well come in and be done with it,” I tell her without looking up.

“Yes, miss.” She drops a curtsy, her gray ringlets bouncing under her cap. “It’s just that there’s a man in the drawing room with your uncle, miss, and your uncle asks that you join them.”

I continue sketching, watching the frilly petals take shape on my paper. “Please make my excuses,” I tell her. Uncle likes to bring me out when he has business meetings, the same way he sets out the good claret and crystal goblets with the old family crest. With no wife and no children of his own, I make a pretty addition and bring a touch of softness to his otherwise hard de­meanor. “There’s a cake in the kitchen and cold ham as well that you might bring them,” I add as an afterthought.

But Betsy doesn’t leave. She wrings her hands and tuts about like a fussing hen. “No, miss. He’s for you.”

I carefully set aside my pencil. This is what I was afraid of. Closing my eyes, I rub my temples, wishing that it was anything else besides this. My time is not even my own, and I hate being pulled out of my work just to oblige Uncle.

“Very well.” I dismiss Betsy and take a moment in front of the mirror in the hall. Uncle’s friends and associates are mostly stodgy old men, but there is always the possibility that it could be someone young, someone exciting. I pinch roses into my cheeks and tease out a few of my yellow curls. If have control of noth­ing else in this house, I at least can take pride in my appearance.

I take a deep breath and let myself into the drawing room. “Betsy said you wanted me, sir?”

Uncle stands and tugs at his waistcoat. “Cornelia, come in.”

Though not more than fifty years in age, his poor temper and taste for rich food and drink has left my uncle with a ruddy complexion and portly figure. He is not a healthy man, and his jowls are loose, his complexion jaundiced. What he lacks in polished comportment, though, he makes up in his wardrobe, opting for elaborate cravats and showy brocaded waistcoats that never quite fit him but speak of money and an account in good standing at the tailor. Uncle waves me over, impatient. “Come meet Mr. Reeves.”

Obedient, I come and position myself near the window where I know the soft gray light is especially flattering to my fair com­plexion. The man unfolds himself from his chair. He is tall and spare, his black frockcoat well-cut and his boots shined. He looks familiar, perhaps from church or one of Uncle’s interminable business dinners. I suppose some might consider him handsome, but there is an intensity in his dark eyes that is more predatory than charming. “Miss Cornelia,” he says, taking my hand and bowing over it, “a pleasure.”

“Mr. Reeves.” I withdraw my hand. “I hope my uncle is not boring you with land yields and livestock accounts.”

He shares a confidential look with my uncle. “On the con­trary. Our conversation has been on the most enjoyable of top­ics.”

“He’s here to see you,” Uncle says, plowing straight into the heart of the matter as he always does. “Mr. Reeves comes as a suitor.”

Uncle makes the outcome of this meeting perfectly clear in the sharp downturn of his lips. His patience with the matter of my marital status is wearing thin.

Well, that makes two of us.

I don’t fancy marriage, but I certainly don’t fancy spending one more day than I have to under my uncle’s roof, either. My dreams of publishing a book remain foggy and out of reach, and the money from my illustrations published in a French newspaper under a nom de plume pays only a pittance. It is not enough to live on, and certainly not enough for a young woman who en­joys fine things and an easy life. A husband would solve at least two of my problems, but it would create a host more.

“I’ll leave you two alone to talk,” Uncle says, cutting me with a look that says there will be hell to pay if I emerge from this room without securing an engagement.

The air usually lightens, the room sighing a breath of relief, when Uncle leaves, but Mr. Reeves’s presence prickles me under my stays, makes me fidgety.

Betsy is posted outside the door, her needles softly clacking as she knits some horrid bonnet or muffler. Outside, a fine mist has rolled over the gentle Sussex hills. A smile spreads over Mr. Reeves’s sharp features. “Your uncle says you’re a spirited filly. That you need a strong hand to break you.”

Ah, so it is to go like that, then. I pour a cup of tea, ignoring my guest’s outstretched hand, instead lifting the cup to my lips. “That does sound like the sort of nonsense my uncle would say.”

Mr. Reeves regards me, his dark eyes calculating. “Your uncle was right, but I think he also underestimated you. I can see you possess some wits, so I’ll not mince words.” He crosses his long legs. “I am looking for a wife, and your uncle is looking to ex­pand his landholdings to the south of the county.”

If the man who has sat down across from me was meek, pli­able, then perhaps I would have more patience in hearing his suit; I don’t need someone who will get underfoot or try to handle me. Even some doddering old lord who might die quickly and leave me a widow would be acceptable. But Mr. Reeves is ir­ritatingly young and looks to be in good health.

“My uncle was mistaken. I am not in need of a husband.” I offer him a cold smile, my mind already back on my flowers, my fingers itching to hold my pencil. The light has shifted with the gathering clouds, and I will have to rework my shading.

He pours himself a cup of tea. “Come, wouldn’t you like to have a fine house? Be mistress of a whole host of servants? I can see that you enjoy some degree of freedom, and I can give you that. You will have a mare and a generous allowance.”

“I should think it would be terribly lowering to have to lure a wife into one’s home with promises of horses and gowns. Shouldn’t you rather wish her to come of her own volition be­cause she holds you in some esteem?”

“You are naive if you think that marriage is anything other than a business transaction. You are a young woman of beauty and some small means but a drain on your guardian. I am an enterprising man, with successful business dealings and a good bloodline looking for a wife who will elevate his status and or­nament his home. I hold a commission in the army and antici­pate traveling to the Continent shortly. It is a good deal for you, and you would be hard-pressed to find a better one, especially with your lack of polish and manners.”

“It’s a little late to be going over to the Continent, isn’t it? I believe we quite vanquished Napoleon.”

Irritation animates his dark eyes before he glances away, tak­ing what I suspect is an intentionally long sip of his tea.

I study him over the rim of my cup, imagining the way I would draw the sharp angle of his chin, the aquiline nose, be­fore finally placing where I’ve seen him. “You were married before, were you not?”

There is an almost imperceptible stiffening of his body. “Yes, I make no secret of the fact that I am a widower,” he says shortly.

“And how, exactly, did your first wife die?” The roses in the vase on the table beside me are vibrating, warning me. I pre­tend not to notice, pretend that I am a normal young woman who does not receive messages from flowers.

His lips thin. “An unfortunate fall.”

“Mm. She did not bear you any children, did she?”

“Barren.” He tugs at his cravat, irritated. “You would do well not to let your ear wander to every housemaid that has a piece of gossip to peddle,” he says coldly.

“In any case, I am not interested.” I move to put my cup down, but a hand closes around my wrist, hard. I look up to find that he has leaned in close, his breath hot on my neck.

“Perhaps you’ve also heard that I have certain…proclivities.”

The roses in the vase strain toward me, singing, setting my teeth on edge. My fingers begin to tremble, but I do not let him see it. “Why would you tell me that?”

“Because I think, dear girl, that you are under the impression that I would use you poorly.” He leans back, but only slightly, the air around him still charged and menacing. “I can be a very hard man when I’m tested, but I can take my pleasures else­where, so long as my wife is obedient.”

His gaze is sharp, his grip painful, and I realize that here is a dangerous man, one who is not just a brute but also clever. He cannot be fobbed off with witty barbs or batting eyelashes.

“This conversation bores me,” I tell him, standing. “I will not be your wife. I’m sorry that you wasted your time in com­ing here.”

But he makes no move to stand, his cool gaze sliding over me in a way that leaves me feeling horribly exposed. “I’ve seen you often, Cornelia. In church, sitting so demurely with your hands folded in your lap. You may think to have everyone else fooled, but I see the spirit in your eyes. A woman like you can never be satisfied with the life of a spinster, put on a shelf here in Sussex. I can offer you fine things, take you to exciting places abroad with me.”

And I’ve seen you, I think. I’ve seen how cruelly you used your first wife, the bruises on her pretty face. The way she faded little by lit­tle every week in church, until she was just a ghost in a dress, her final service that of her funeral. That will not be me.

“Surely there are other young ladies that would be flattered by your attentions,” I tell him.

“None so beautiful, none that I would take so much pleasure in breaking. The more you deny me, the more determined I am. Ask your uncle. I am a man who gets what he wants, one way or another.”

All the promise of gold or Continental trips would not be enough to tempt any marriage-minded mama to let her daugh­ter enter into an arrangement with a man like Mr. Reeves. But of course, I have no mama to arrange such matters for me, to keep me safe.

“Then, perhaps it was time you lose for a change. Do you not find it dull to always get what you expect?”

He stands, drawing close and jabbing a finger into my bodice. It takes some great force of will to stand my ground and not let him see my fear. “You may think yourself clever, but this visit was just a courtesy. Your uncle and I have all but drawn up the contract already.”

He storms out, and the room grows quiet in the wake of the front door slamming. Betsy startles from her seat where she had fallen to dozing. I close my eyes, take a breath, wait until my heartbeat grows even again. Then I return to my waiting draw­ing in the parlor.

If I work quickly, I can still finish it and have it ready for to­morrow’s post. But for now, there is no waiting publisher, no silly French pseudonym; it is just the light and the shadows and me, a silent dance as I commit them to paper. Mr. Reeves and his odious proposal quickly fade away from my mind.

But then a raised voice shatters the silence, breaking my con­centration, and there is the thundering velocity of Uncle com­ing down the hall.

 

Excerpted from THE BOOK OF THORNS by Hester Fox. Copyright © 2024 by Hester Fox. Published by Graydon House, an imprint of HarperCollins.

 Author Bio: 


Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. She is the author of such novels as The Witch of Willow Hall, A Lullaby for Witches, and The Last Heir to Blackwood Library. When not writing, Hester can be found exploring old cemeteries, enjoying a pastry and seasonal latte at a café, or  scouring antique shops for old photographs to add to her collection. She lives in a small mill town in Massachusetts with her husband and their two children.

 Social Links:

Author site: https://hesterfox.com/

GoodReads: https://www.goodreads.com/author/show/17440931.Hester_Fox

Twitter: https://twitter.com/hesterbfox?lang=en

Instagram: https://www.instagram.com/hesterbfox/


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