Showing posts with label #HanoverPress. Show all posts
Showing posts with label #HanoverPress. Show all posts

Monday, December 1, 2025

Book Tour Stop: Dawn of the Firebird

 

 

Dawn of the Firebird (Deluxe Limited Edition) : A Novel

Sarah Mughal Rana

On Sale Date: December 2, 2025

9780778387664

Hardcover

$30.00 USD

 

ABOUT THE BOOK:

For fans of The Poppy War, She Who Became the Sun, and The Will of the Many, a breathtaking fantasy novel about the daughter of an overthrown emperor from an exciting new voice 

Khamilla Zahr-zad’s life has been built on a foundation of violence and vengeance. Every home she’s known has been destroyed by war. As the daughter of an emperor’s clan, she spent her childhood training to maintain his throne. But when her clansmen are assassinated by another rival empire, plans change. With her heavenly magic of nur, Khamilla is a weapon even enemies would wield—especially those in the magical, scholarly city of Za’skar. Hiding her identity, Khamilla joins the enemy’s army school full of jinn, magic, and martial arts, risking it all to topple her adversaries, avenge her clan, and reclaim their throne. 

To survive, she studies under cutthroat mystic monks and battles in a series of contests to outmaneuver her fellow soldiers. She must win at all costs, even if it means embracing the darkness lurking inside her. But the more she excels, the more she is faced with history that contradicts her father’s teachings. With a war brewing amongst the kingdoms and a new twisted magic overtaking the land, Khamilla is torn between two impossible choices: vengeance or salvation.

Buy Links:

Bookshop.org: https://bookshop.org/p/books/dawn-of-the-firebird-a-novel-sarah-mughal-rana/7a9c7e2bf615b04f

B&N: https://www.barnesandnoble.com/w/dawn-of-the-firebird-sarah-mughal-rana/1146028164;jsessionid=DBD0F2565333F47AC18C30BB015A817F.prodny_store01-atgap13?ean=9780778387664

Amazon: https://www.amazon.com/gp/aw/d/0778387666/ref=tmm_hrd_swatch_0?ie=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.lZ11q3tTtPwtF6Zvg6AAPtyRFBOmB62byMH7nerm5fM.bg-QTUZ6CuQwi1QIX9aBL6pSRrVVUDLcXYu4_42hV18&qid=1743450437&sr=8-2

Excerpted from Dawn of the Firebird by Sarah Mughal Rana, Copyright © 2025 by Sarah Mughal rana. Published by Hanover Square Press.

Before…

Year 495 after Nuh’s great flood,

Era of the heavenly birds

Tezmi’a Mountains, Azadniabad Empire

 

I would inherit the power of the Heavens, Uma had said so.

But my power was a curse, this she did not have to say. Like any great legend, my tale began with tragedy.

In the stories later recounted from my maternal uncle, my uma had a glad-tiding the night of my birth, as all mothers of gifted children did. It was near the winter solstice in the year 495, she dreamt of light emanating from my infant body, bathing her in a cool glow. She knew the Divine had shown the power I would come to inherit: nūr, cold Heavenly light, the same spiritual power that flows through the firebird.

But that night when I sprang free of Uma’s womb, our chieftains dreamt of a world of darkness. War and destruction. She is an omen, the tribe murmured, despite my uncle the khan reprimanding their frivolous superstitions. Her mother refuses to name her, nor does her father, the Great Emperor, accept her. With his many wives and heirs, this child is but one of many. But Uma knew in her heart that blessings came with a little suffering, that was the Divine’s way. My child is neither cursed nor omen. She has the affinity of light. Uma liked her secrets. This one she tucked close to her chest.

In the spring pastures of our valley Tezmi’a, that year brought a drought that starved the lands, killing portions of herd. Other peculiar happenings sowed fear in the tribe: more raids, more deaths. When Uma suckled me, wild birds would encircle the yurt before flapping into the felt tents, spilling dried meat, spoiling the yak milk and provoking our hunting birds.

‘The girl is cursed,’ my clansmen argued.

‘The girl is simply a girl. And we are God-fearing men,’ my uncle would reprimand. ‘We blame misfortune on no one but our own sins.’

‘But the birds,’ the tribe would insist, ‘they surround the babe. She is unnatural!’ It was true – wherever I was carried there was the sweep of wings above, and birdsong from the trees.

Swaddling me close, the khan’s most favoured wife spoke. Babshah Khatun. To her, not one dared argue. ‘Enough, you superstitious fools. She is a blessing who has brought forth more birds for hunting. She is unusual; but, unusual children bear the greatest gifts. However I hear your fear. The chief folkteller has the hearts of their kinsmen, for they carry the histories of our sorrows. As your folkteller, Divine as my witness, I will make this babe my apprentice. She will carry with her the tales of your greatest joys and fears until the end of her days.’

The stern lady, though young, never broke her oaths. In irony, her oath became my curse.

In the winter quarters, the best pastures were south of the alpine lake. That year, the khan’s tribe erected their yurts and herded thousands of yaks, wild mares and lambs at the base of the harsh snow-capped mountains, amongst the rolling green alpine meadows, thin grass growing above cold dirt. From the lake, icy streams broke through the rocky grasslands of Tezmi’a.

It was my seventh Flood Festival, commemorating the day Nuh left the ark after the Great Flood. That morning, the children competed, to see whose prized hunting bird would find the keenest prey. Before long, the khan’s favoured wife interrupted and led the children up the pastures until they reached the end of the settlement of tents, toward the thick woodland.

Some of the tribe’s warriors, who’d escorted goods and cattle across the mountain pass for the emperor’s merchants, rested against the boundary of trees, waxing their compound bows. Others sipped apricot tea to fling back the wet chill, nodding to us in greeting. The khan sat with them, my uma – his sister – beside him. When she spotted our group, Uma scowled and stalked toward us.

‘O, Babshah, what senseless idea do you have now?’

Babshah Khatun merely smiled in silence. Uma placed a hand against my back, staring at the hunting birds cowing upon my shoulder. She warned, ‘Do not go too south of the mountain pass. There are patrols from the enemy clans who snatch away children like her.’

Still Babshah Khatun continued deep into the womb of the valley, past protruding boulders, and clumps of elm, into the tall deep grasses that fattened the wild onagers. Trails where humans rarely ventured, and the jinn-folk still reigned. The wind whispered into the children’s hair. The entombed roots of wizened trees sprawled through the woodlands, and whizzing sprites, those mischievous little apprentices to the long-passed fae of these lands, showered seeds to pollinate the flora. A deceivingly drowsy day for the violence that it promised. A place where the old ways still mattered and the Divine-made boundary between jinn-folk and human blurred.

Determined, I tripped along next to Babshah, resisting the urge to clasp the long end of her yak leather tunic, lest she think me not brave. Even my hunting buzzards on my shoulders canted their heads, curious.

Babshah sat squat and brushed her pale hand across the dirt. Her black hair swung with the wind, a dozen thin braids clasped in silver beads and an array of hawk feathers, not dissimilar to my own. The only difference was a camel-skin cord around her temple with a blue wooden block indicating her status as a wife of the khan.

‘Today, we will do a new type of hunt,’ Babshah declared. ‘Hunting by folktelling.’

The children murmured amongst themselves, but Babshah did not elaborate. Instead, she latched on to my hand – ‘Prepare yourself, my apprentice’ – before continuing along the fir path.

When we stopped, and it came time for our hunting pairings, my milk-sibling Haj refused to take me as a partner. He was ten years old, only three years my senior, but the gap was large enough to fuel his arrogance. He took his complaints to Babshah.

‘My uma says to stay away from her, else she will curse my bird’s game! I train with a spotted sparrowhawk. The girl trains with a pair of sooty buzzards. Smaller and useless, just like her. With all the birds that follow her, she will scare away the prey.’

‘I may be Ayşenor’s only child, but I am not useless,’ I muttered, keeping my lip from trembling.

 


 

ABOUT THE AUTHOR:

SARAH MUGHAL RANA is a Muslim author and student who completed her bachelors with honours at the University of Toronto and is now at Oxford University, studying at the intersection of economics and policy. She is a BookTok personality and the co-host of On The Write Track Podcast where she enjoys spilling tea with her favourite authors about the book world. Her debut YA novel, Hope Ablaze, published in February 2024. Outside of school, she falls down history rabbit holes and trains in traditional martial arts. 

Social Links:

Author Website: https://www.sarahmughalrana.net/

Tik Tok: https://www.tiktok.com/@sarahmughal769

Instagram: https://www.instagram.com/sarahmughal769


Sunday, November 24, 2024

Book Tour Stop: You Can't Hurt Me

 



You Can't Hurt Me

Emma Cook

ISBN: 9781335430489

Publication Date: November 5, 2024

Publisher: Hanover Square Press

The Silent Patient meets Rebecca in this twisty debut about the mysterious death of a woman with congenital analgesia, a rare condition where she can't feel any pain – and an obsessive journalist who will stop at nothing to uncover her most dangerous secrets.

Meet Eva, who can’t feel pain, and Anna, who can’t escape it.

Everyone has heard about the case of Eva Reid. Ever since she was born, she’s been immune to physical pain – she can get a paper cut, break a limb, and even give birth without feeling a single thing. Her rare condition has long-captivated reporters and researchers – including Dr. Nate Reid, Eva’s husband and acclaimed scientist renowned for his work in The Pain Laboratory. Also among them is Anna Tate, a ruthless journalist with a dark past of her own.

When Eva is suddenly found dead inside her home, it raises a flurry of questions around the last night of her life – and who might’ve been involved. Anna finds herself growing increasingly obsessed with Eva’s case: her cloistered, painless existence, her promising career as a psychotherapist, and especially her toxic relationship to Dr. Reid, whom she met and married as his former patient. But what other secrets could they be hiding?

When Dr. Reid embarks on the process of writing a book about Eva, Anna makes sure she’s first in line to work on the project with him. As she slowly inserts herself into their home and seeks to uncover what’s fact and what’s fiction, shocking discoveries await her – and not everyone may come out unscathed…

 Buy Links:

HarperCollins

Bookshop

Barnes & Noble

Amazon

Books-A-Million

Target

 

Excerpted from YOU CAN’T HURT ME by Emma Cook, Copyright © 2024 by Emma Cook. Published by Hanover Square Press, an imprint of HarperCollins.

7 December 2022, 7:30 p.m. 

I am a ghost in the room tonight. A shadow no one will notice, exactly as it should be. Guests arrive, flowing toward the heat and hum of the glass atrium at the back of the bookshop. Turning my back to them, I retreat farther into the deserted aisles of Anthropology, reach for a slim volume, inhale the flutter of air as my thumb zips through the pages. I wait for that aroma, dry and sweet, biscuits and sawdust to work its usual magic, a sensory hit that never fails to reassure me. Until now. Books used to be an escape. A window to another world that for a short time might alter me in some unfathomable way. But I’ve been too close to them, seen how they can taint and twist the truth. 

I slip into the atrium packed with a hundred or so more guests. It is easy enough to lose myself here, hovering at the back behind a pillar. I’ve been paid to melt away into the ether, but I doubt they’ll be looking out for me. 

So why risk coming along at all, what will it solve? His book is displayed on a table next to me in a tower of carefully spiraled spines, a DNA strand to show every angle. On top a hardback copy is perched upright, his name embossed across the front in glossy black. I imagine teasing out the bottom copy, watching them topple to the floor. The cover is luxuriant, creamy, a lily in one corner. It could be a bereavement card. 

In a way, it is. Loss in fifty shades of vanilla. In those pages resides a version of his wife, Eva, much-loved, much-missed, much-constructed, packaged up for public consumption. The other ghost in the room tonight. 

It is his back I see first as he walks through the crowd. Briefly he turns around and from my vantage point I watch him, this stranger who only three months ago I thought I knew so well. He pauses to chat to someone, draws his fingers through the back of his hair, letting his hand rest at the nape of his neck, something I know he does when he’s tired or anxious. He looks a little older this evening, a little grayer, a scattering of salt at his temples, a silvery haze of stubble at his jawbone. I see now, or is it wishful thinking, how the past few months have punished him too. He is leaner perhaps, his face more angular. His brow bones protrude a little, lending him an almost hawkish glare. 

From my vantage point, I spy an attentive young woman as she approaches him, offering up an open copy of the memoir, the shadow of a smile as they connect. Even from here I can see she is transfixed, caught up in whatever he is telling her, that way he has diverted the conversation and channeling it elsewhere. 

He pauses, bites his lip, and I see something new in his expression, a tentativeness perhaps as he excuses himself from the guest, disappears into his public persona. Slowly he climbs the spiral staircase to a gallery that circles the room and by the time he’s at the top, he has become Dr. Nate Reid, any shade of hesitation vanished. 

Priya, his editor, is already there, smiling down at the crowd. Everything about her is sharp and precise, the cut of her pale silk dress cinched at the waist, the razored line of her dark glossy bob tucked neatly behind each ear. She taps her ring against a champagne flute and the clamor subsides. 

“Hello, everyone. Thanks so much for coming tonight. I’d like to start by saying what a privilege and an honour it has been working on this book.” She turns and raises her glass to him, her hand touching his arm. 

“Nate’s instinct for storytelling is rare and inspiring. Many of us are used to hearing about Dr. Reid as a distinguished neuroscientist and TV personality, so it has been even more impressive to discover his gift for personal writing, his unflinching honesty and extraordinary ability to let the reader in.” 

As she hands it over to him, there’s a peal of applause. Unflinching honesty? Here’s to fantasy fiction. 

He clears his throat and steps toward the balcony edge. “I’d like to return Priya’s compliment and say how deeply satisfying it has been collaborating with her.” He touches her hand. “One silver lining in my journey is that it has brought me here tonight. To be here with so many friends who have given me their unstinting support. In a strange sort of way, it’s like Eva’s last gift to me. I feel very loved.” 

He falters, falls silent for a moment. 

Priya passes him a glass of water and there is a tingling anticipation as the silence stretches. 

“When I started this book, I was overwhelmed. My first thought was, why would anyone do this? Then I realized here is a golden opportunity. My chance to help others in a similar situation. There are more of us around than you’d think.” He looks down at us, as if seeking out other grief-stricken souls in the crowd. “No one can really bear the truth that every minute of our life hangs by a thread. However much we think we can script our own existence and try to ensure nothing bad can ever happen to us, it does and it will.”

His index finger silently strikes the iron balcony rail, in sync with the rhythm of his words. “To each and every one of us. Tonight, tomorrow, at some point. Of course, that’s why memoirs about grief are so popular. They’re a window to a world that one day we’ll all inhabit, if we haven’t already. It’s only a matter of time.” He grips a copy of the book, raising it up. 

“Eva was an extraordinary person, someone who radiated optimism, a hunger for life. As many of you are aware, she was best known as a sculptor, her work was widely regarded. She also made headlines around the world when I first diagnosed her with a rare medical condition, congenital analgesia, the inability to experience pain. But pain is nature’s alarm system helping to protect us, or as C.S. Lewis once put it, ‘God’s megaphone to rouse a deaf world.’ The value of pain is only evident when you see its absence. Which was why Eva was the most fearless person I ever knew, but the most vulnerable too.” 

Guests lean in, heads tilt and crane. One woman tucks loose hair behind her ear in the hope of catching more. That voice. Gentle, well-spoken. Articulate and low. Gravel and smoke. He’s lectured around the world, been interviewed by the New York Times and doorstepped by the Sun. As his reputation grows, his words became quieter, loaded with a particular power. 

A waitress passes with a tray of champagne and reluctantly I shake my head. It’s been five months since I touched a drink. Five months since that night at Algos House. Now I can’t help wondering if everything would have turned out quite as it did if I’d kept a clear head the whole time. I sip on a flute of orange juice, watch as he effortlessly ramps up his performance. 

“I wanted to examine how you carry on after something like this, how to accept the horror of it. To come back home one evening and discover, in an instant, that my wife had died. How do you begin to make sense of it?” 

How indeed. 

“Death is the great leveler, even for those who appear to be invincible.” He pauses, eyes shining. “Because it shows us who we really are, and reveals how much we truly love the person we have lost. Here’s to Eva. Tonight is for you.” 

He raises his glass as a tide of rapturous applause swells. It takes a moment or two, as the clapping subsides, to identify another noise in the crowd. A shriek. Like a contagion it spreads through the room, palpable and urgent. 

“Murderer! We know what you did!” 

I swallow hard. There are ripples of movement close to the door, security staff swarm, a scuffle ensues. “Justice for my sister!” she shouts, saying something else inaudible before she is bundled outside and removed from the event, leaving the crowd murmuring in her wake. I know I should leave but I’m frozen to the spot. 

Back up at the gallery, Priya steps steadily in front of him. “Well, I guess grief affects us all in different ways,” she says. “And hopefully Nate’s book will offer comfort and understanding to anyone who’s suffered great loss. As a publisher, I couldn’t ask for more. Nate’s on his way down now to sign copies so do buy one and see what all the fuss is about.” 

He appears, unphased, unflustered, his enigmatic reserve intact. There is nothing like the fury of a scorned woman to add intrigue, allure even. Priya knows this, so does he. Scandal swirls around him, somehow raising his stock rather than dimming it. I watch as he works the room. 

“Well, that was all highly entertaining, wasn’t it?” says a woman next to me, her breath ripe with wine and crisps. “Who was she?” 

“I’m not sure,” I lie. “Eva’s sister, I guess?” 

“Ah, the disgruntled sibling desperate for the true story to be told. Delicious.” She regards me for a moment and there’s a flicker of recognition in her eyes. 

She seems familiar, but I can’t quite place her. “Maybe a bit misery memoir for my liking,” she says, her tone conspiratorial. “But a great idea. Whoever got him to do it was completely on the money. Even more so if the sister doesn’t like it. I’m Jane. Jane Burton by the way. Mail On Sunday. And you?” 

I should have known; the over-highlighted hair and green quilt jacket are a giveaway. She swooshes the bubbles around her mouth and studies me as if I’m a puzzle to be solved. There’s that familiar glint in her eyes that I have grown to recognize down the years, a precise and very familiar brand of curiosity, watching from the sidelines, prying, insinuating, picking away. It’s part of the job, until it becomes part of you. 

“So you’re covering the book,” I ask. 

“Yes, we ran first serial last Sunday. Triumph over tragedy, the usual.” She shrugs lightly. “Still, if you cry, you buy, they say.” She smiles briefly, moves in a little closer so I can see a smear of fuchsia lipstick on her front tooth. I’m repelled by something in her that feels too close to home. I shudder slightly, step away from her, but she inches closer, as if we’re both coconspirators. 

“Good-looking, isn’t he? In that rather obvious way.” She crooks her head to one side, her eyes slide over him. 

“I guess, I hadn’t really noticed.” 

“What a horrible thing to happen. I don’t think you ever get over something like that, do you?” 

“I hear he’s doing pretty well.” 

“I wonder if he wrote it all himself?” Her steady look unnerves me. “A lot of them get help these days, don’t they?” 

“I wouldn’t know. If they choose to have a ghostwriter, it’s usually kept a secret.” A flush prickles my neck and spreads upward. 

I make my excuses and head for the exit, via Memoir & Autobiography for old time’s sake. The siren-call of those glittering lives on display spilling all—fame, grief, misery and addiction. “Read all about me, me, me,” they seem to echo, screaming for attention. I walk to the end of the aisle and stop in my tracks. There he is with Priya, standing just yards away. 

Something in me deflates, and I know that it’s all over. He talks quietly, rapidly, and Priya nods in affirmation, her head dipped. 

They carry on, deep in conversation. As I walk briskly past them toward the door, he looks up and our eyes lock. Priya reaches for his arm, but he pushes her away, starts toward me as I turn to the exit. 

“Wait,” he shouts after me. But I don’t turn back. I have spent too long under his skin and now it’s time to burrow out. I won’t be another acolyte like Priya. I don’t deserve Eva’s fate. 

I take off my heels, stuff them into my bag and start to run. Away from him. Still, I hear his voice, urgent and cracked, calling my name. I turn a corner and break into a sprint, my bare soles slap the cold wet pavement. Keep going, I tell myself, my breath ragged, my lungs burning. Only two questions keep circling. 

What did you do to Eva? 

What could you do to me?


About the Author:

Emma Cook has been an editor at the Guardian for 16 years, commissioning on Guardian Weekend, editing her own section Do Something and now assistant editor and travel editor on the Observer magazine. She has written for a range of titles including the Guardian, the Independent, the Times, the Daily Telegraph, ES Magazine, Elle and Psychologies. She is an alumna of the Faber Academy's six-month Writing A Novel course, and You Can't Hurt Me is her debut novel.

Social Links:

Author Website

Instagram

Twitter (X)


Monday, May 6, 2024

Tour Stop: The Library Thief by Kuchenga Shenje

 


THE LIBRARY THIEF

Author: Kuchenga Shenjé

Publication Date: May 6, 2024

ISBN: 9781335909695

Hardcover

Publisher: Hanover Square Press

Price $29.99

 


The library is under lock and key. But its secrets can't be contained.

A strikingly original and absorbing mystery about a white-passing bookbinder in Victorian England and the secrets lurking on the estate where she works, for fans of Fingersmith and The Confessions of Frannie Langton

 

1896. After he brought her home from Jamaica as a baby, Florence's father had her hair hot-combed to make her look like the other girls. But as a young woman, Florence is not so easy to tame—and when she brings scandal to his door, the bookbinder throws her onto the streets of Manchester.

Intercepting her father's latest commission, Florence talks her way into the remote, forbidding Rose Hall to restore its collection of rare books. Lord Francis Belfield's library is old and full of secrets—but none so intriguing as the whispers about his late wife.

Then one night, the library is broken into. Strangely, all the priceless tomes remain untouched. Florence is puzzled, until she discovers a half-burned book in the fireplace. She realizes with horror that someone has found and set fire to the secret diary of Lord Belfield's wife–which may hold the clue to her fate…

Evocative, arresting and tightly plotted, The Library Thief is at once a propulsive Gothic mystery and a striking exploration of race, gender and self-discovery in Victorian England.

 

Buy Links:

HarperCollins: https://www.harpercollins.com/products/the-library-thief-kuchenga-shenje?variant=41109244739618

BookShop.org: https://bookshop.org/p/books/the-library-thief-original-kuchenga-shenje/20641408?ean=9781335909695

Barnes & Noble: https://www.barnesandnoble.com/w/the-library-thief-kuchenga-shenj/1144095064

Amazon: https://www.amazon.com/dp/1335909699/keywords=fiction


Excerpted from THE LIBRARY THIEF by Kuchenga Shenjé. Copyright © 2024 by Kuchenga Shenjé. Published by Hanover Square Press, an imprint of HarperCollins.


The story starts with a scandal that I thought would end my life. Fortunately, my scandal didn’t kill anyone. In fact, it pales in comparison with what I went on to discover at Rose Hall.

Thus far, the way I see it, in any good life you need to die several times to really lead a life worth living. There are little deaths and there are big deaths. My tale has both—and the real tragedy would be if this story were to die with me.

I was lying when I swore I would take this secret to my grave. I had no right to promise that.

*

 

 

Granger’s Bookbinders,

143 Long Millgate,

Manchester,

 

Rose Hall,

Lancashire,

November 20, 1896

Dear Mr. Granger,

I trust this note finds you in good health and that business is as steady as when last we met some years ago.

I write to you with an unusual commission. I will not trouble you here with the details of my current circumstances. Since the untimely death of my beloved wife, Lady Persephone, it seems the fates are in conspiracy against me. Suffice it to say that I find myself now in need of your excellent services and on a far grander scale than before.

 

The library at Rose Hall is, as you are aware, extensive. I am proud of the rarity and quality of the books it now houses, a collection that I have painstakingly curated over many years. I now find myself in the unhappy position of seeking a buyer for my collection. Many of the books, due to their age and mishandling by less cautious owners, are badly in need of restoration. There are perhaps some two hundred such artifacts. The nature of my circumstances make it necessary that this work be carried out to the highest quality and with the greatest rapidity. Since no bookbinder in the North West possesses skills equal to yours, I thought of you at once.

Please inform me as soon as you are able whether it is within your means to accept such a commission.

Your obliged and affectionate friend,

Lord F. Belfield

 


 

 

1

 

I fell in love with the feel of the cotton before I fell in love with the books. Leather felt too masculine and reptilian. Cloth was so much warmer and didn’t slip out of my hands as easily. As a child I played underneath the tables and made toy families from the scraps that fell at my father’s boots.

He would never talk to me about where the cloth we used came from, nor the contents of the books we worked on. There were a lot of things my father wouldn’t tell me, and rather than keeping me ignorant, his silence made me more curious. And fortunately, I was surrounded by the means to nourish that cu­riosity.

Most of the time we spent together as I grew up was in si­lence, folding, beveling and smoothing. I sometimes wished my fingers could be as thick as his; he didn’t grimace when school­ing leather and cloth into precise lines under his digital tute­lage. I tried to be like my father, but all the books he left lying around gave me opinions.

 

 

* * *

I arrived at the front door of Rose Hall looking more ragged than I would have liked. My breath was far from fresh, and the hair pins and clips I had used to imprison the frizzier strands had been loosened by the bumps of the rickety carriage. I had been dropped at the top of a tree-lined drive that was at least a quarter mile long, if not more. The December mists obscured my vision, and I could only just make out the shape of a grand house, the likes of which I had only really seen on biscuit tins in the windows of Manchester’s new department store, though I had imagined them as I read Brontë, Austen and Radcliffe. Even with the curls of mist in the air, I could tell this was a very English dwelling. As I approached it my feet slipped and shifted on the gravel, unused to navigating such terrain after only walk­ing on cobbled streets and across wooden floors.

Lord Francis Belfield of Rose Hall had been my father’s long-standing customer. He was the only man I’d ever seen look lux­urious without any air of pomposity. The men of Manchester were not known for wearing velvet, so the sheen of his jackets always marked him out as distinguished. It felt completely fit­ting that Rose Hall was an ode to symmetry and a more taste­ful example of the grandiosity of the mid-eighteenth century. It was an early Georgian home of Lancashire sandstone. Even though my father hadn’t mentioned it, the period of the build­ing’s erection and the mercantile success of Lord Francis Belfield were all I needed to know to deduce that the building and its grounds had been purchased with plantation wealth.

I knocked on the forest-green door and left my suitcases on the ground, hoping that looked more elegant than being strained down by the weight of my clothes, books and binding tools. In my pocket, my fingers found the folds of Lord Belfield’s let­ter. I inhaled, recalling once more the story I had so carefully rehearsed.

The door opened and a pair of prominent blue eyes glared at me through the crack. “Well?”

“Miss Florence Granger for Lord Francis Belfield, please.”

I took in the lines, too many for the face of someone who was still clearly a young man. The hand holding the door open was rough and calloused.

“He is expecting me,” I added.

“No ’e is not.”

I blinked, having not expected resistance this soon.

“I assure you I arrive here at the request of Lord Belfield him­self. I am from Granger’s of Manchester.”

The door widened and there stood a long-limbed boy of no more than twenty. His movements were almost feline. The way he handled the door without effort despite its apparent heavi­ness was quite a marvel.

“We are bookbinders. I’ve been sent to care for your master’s collection.” I retrieved the letter from the pocket of my coat and held it out.

He made no move to take it, but instead chewed his bottom lip, realizing there was truth to my words but clearly uncon­vinced by me. A female tradesperson at the door to Rose Hall was probably not a common occurrence.

“Young man, I excuse you of your impertinence, but I have been traveling for some hours and would like to rest,” I told him, trying a sterner approach. “Please fetch your master.”

“’E don’t rise before midday most days anymore. You can wait in the kitchens, if you like.”

Now it was my turn to falter. I had no way of assessing how appropriate this was. Should I be seated in the parlor? If I al­lowed myself to be taken to the kitchens, was I aligning myself with the downstairs staff? I was an artisan, not a servant. But a sharp ripple through my stomach made the decision for me.

“Very well, so long as your offer comes with a cup of tea.” I sighed and crouched down to pick up my suitcases.

“No, m’lady. I’ll tek those.”

He ushered me into the reception hall, lifting my bags up to his sides as if they weighed nothing at all. The door chuffed itself closed behind us with a low groan. The darkness of the perimeter indicated that there was no draft coming through, nor a single sliver of light. A curtain hung to the right of it and the man gave it a sharp tug. It concealed the entrance entirely once pulled across, an odd choice. It gave the sense of being sealed into the house somehow—not being able to see where one could escape.

Stepping into the hall, I was compelled to look up. It was a huge atrium, with dark green textured walls and candles placed at regular intervals which gave the illusion of a warm, close space. He led me over a black-tiled floor, underneath a vast yet delicate brass chandelier aglow with coppery bulbs. At the back of the hall, under the bifurcated staircase, he opened a hid­den door which led down to the kitchen. Before I had reached the bottom the herbaceous and deeply woody smells of the kitchen came wafting up to greet me. It was divine. But when we reached the flagstoned room I saw there was nothing on the stove; I could only imagine that months of cooking in a room with such small windows had baked the scent into the walls.

I was seated at a wooden table facing an array of copper pans and white jugs with the high windows behind me. It was clearly a kitchen intended for many staff, but there was none of the ex­pected bustle. Where was everyone? I shifted uncomfortably as I cast about for something to say, before realizing that I didn’t know the young man’s name.

“What is your name?”

“Wesley.”

“Wesley what?”

He gave me a strange look. “Bacchus. Wesley Bacchus. I’m the footman.”

He was telling me that as a footman, his surname did not matter. Of course there was no reason that I, as a craftswoman, should know the intricacies of these hierarchies, but I sat in si­lence, not wanting to betray myself further by speaking again.

I was grateful when the cook came in some minutes later—from a pantry, I imagined—but she barely looked in my direc­tion, merely banging a pan of water onto the stove. My stomach growled something fierce when she entered, almost as if my belly knew that I was meeting the person in charge of feeding the house.

I waited for her to acknowledge me, while Wesley contin­ued to look on with a smile playing about his lips. But she only retrieved a mug and a caddy, before placing a steaming tea in front of me with a snort. My shoulders slumped. I hadn’t ex­pected to be treated as a lady, but had hoped for at least some respect. Would my father have received such a poor greeting? I sipped the tea, grateful for its sweetness and warmth as the cook clattered about with her back to me. As I finished, she returned to the table with a thick slice of ham sandwiched between two slices of bread. There was also a large apple on the plate and in her other hand was a pewter cup of water. She’d clearly heard my stomach. But her face showed no compassion as she laid the blessed offering on the table.

With one last assessing glance at me, Wesley left, and the cook returned to the stove, making it clear she had no intention of speaking to me. I decided I could forget my manners just as she had hers, and devoured the most delicious meal I’d had in weeks. Salty ham on pillowy bread, with a delightfully sour apple and water that tasted like it came from the purest spring to cleanse my palate. After greedily wiping the crumbs off the plate with one of my fingers, I took out A Christmas Carol from my coat pocket and started reading until the words on the page began to blur. The beast of a carriage I had traveled in overnight had creaked with the strain of being drawn up even the slightest in­cline. Combined with the cold that jolted me from slumber, I had only been able to sleep in fits and bursts.

I awoke, suddenly, with my head on my crossed arms in front of me and my wrist soaking wet from my dribble. The plate and pewter cup had been taken away and Wesley was standing above me, a mocking smile about his thickish lips.

“I’m sorry to wake you, Miss. Lord Belfield says he’ll see you now.”

Wesley led me back upstairs, and down a corridor. As we passed a tall, gilded mirror, I stopped, horrified by my reflec­tion. My hair, after only days left to its own devices, was now once again completely untamed. My eyes were bloodshot with fatigue and my skin was pale, making my freckles stand out. Hastily, I tried to force my frizzed hair back beneath its pins as Wesley stopped too. He watched me with amusement until I had done the best I could, and we continued on our way.

I thought back to the last time I had seen Lord Francis Belfield. His best features were his long fingers, which were always en­cased in tight kid gloves that he never took off. Oh, and the smell of him! Rich pepper with a botanical soapy undertone, which always impressed me. Not in a way that would make me swoon. He’s not the kind of man a girl like me is meant to fall in love with. No, what I felt was awe. A man of his fortune had surely seen more of the world than most. He’d have tales of Saint Petersburg, Constantinople and Siam. If only I could ask him. The need to convince him of my employability made doing so inappropriate.

The door opened onto the parlor, and immediately I could see that the man I remembered from our shop was very dif­ferent from the man who sat in front of me. He was wearing a turmeric-colored silk waistcoat embroidered with indigo plants, paired with dark trousers. He had clearly dressed hastily, and a thread toward the bottom of his trousers was loose and trailing on the floor by his feet. I inhaled deeply but could not catch the spiced vegetal scent that usually accompanied his presence. He was much thinner than when I had last seen him, and his eyes drooped as if he had suffered many a sleepless night. He stood up from his seat to shake my hand but returned to it quickly as if he couldn’t bear to hold himself up for too long.

“My name is Florence Granger, sir,” I began, but he waved a hand.

“Yes, yes, I remember you. But why has your father sent you all this way without an escort? It must have been a fright­ful journey.”

“Oh, no, Lord Belfield. The journey was fine.” I cleared my throat to make space for the bigger lie. “My father sent me to complete the work on your collection that you requested.”

He looked at me aggrieved. Offended, even. The way his fore­head crumpled made me more aware of the thinning hair at his temples. Even disheveled, he was no less handsome. However, I pondered whether he might feel a sense of loss for the way he used to look. On my previous viewings of him, he looked like someone who was used to being seen and spoken of as a very handsome “young” man. Although he wasn’t superbly weath­ered, he now had the face of a man who had endured. A sad wisdom brought the tops of his eyelids a little lower. His jaw­line was a bit less tenderly set because his teeth were more used to being gritted together from stress. I supposed it was grief. He had lost his wife less than a year before, after all, leaving him with only his son.

“Why on earth would he do that? This hasn’t even been dis­cussed. Had he accepted the commission, I would have had the books sent to Manchester.”

Ah. This I had not considered. I remembered the words on the letter. I was sure that it was an invitation to stay and restore the library. My mouth was dry as I prepared my next lie.

 

Author Bio: 


KUCHENGA SHENJÉ is a writer, journalist, and speaker with work on many media platforms, including gal-dem, British Vogue and Netflix. She has contributed short stories and essays to several anthologies, most notably It’s Not OK to Feel Blue (and Other Lies), Who’s Loving You and Loud Black Girls. Owing to a lifelong obsession with books and the written word, Kuchenga studied creative writing at the Open University. Her work is focused on the perils of loving, being loved and women living out loud throughout the ages. The Library Thief is the ultimate marriage of her passions for history, mystery and rebels. She currently resides in Manchester, where she is determined to continue living a life worth writing about.
 

 

PRAISE: 

“Shenjé rightfully joins a distinguished line of authors who love books and secrets and know exactly how to combine the two.”—Booklist

 

"A tantalizing read that swells with secrecy and intrigue. It's hard to believe that Kuchenga Shenjé writes of the past, and not of the present. A beautifully and skillfully written debut."—Candice Carty-Williams, bestselling author of Queenie


"Shenjé shines a light on LGBTQIA+ love and people of color in Victorian England... Fans of Sarah Waters and Bridget Collins might have in Shenjé a new author to add to their TBR lists."—Library Journal

 

"Powerful, sagacious and warm, The Library Thief is both a gripping, multi-layered mystery and a gorgeously absorbing novel that demanded I return to its pages whenever I had the audacity to set it down. Without a doubt, Shenjé's wholly original debut has bestseller written all over it."—Joanne Burn, author of The Hemlock Cure
 
"A compelling novel that starts as a mystery and grows into a coming-of-age story, examining identity, belonging, loneliness and friendship within the restrictive and stifling world of late Victorian society. The Library Thief is filled with fantastically drawn characters and with a love of books that shines through the prose."—Katie Lumsden, author of The Secrets of Hartwood Hall

 "If this book's a thief of anything—it was my attention. I was hooked, the story opening with the tantalizing traditions of a gothic mystery and then unfurling in unexpected directions, threading themes of identity, sexuality and a woman's impossible choices into an intricate web of mysteries that would not let me go."—Cari Thomas, international bestselling author of Threadneedle

 


Sunday, December 17, 2023

Blog Tour Stop: The Vacation

 


THE VACATION
Author: John Maars
ISBN: 9781335006042
Publication Date: 12/19/2023
Publisher: Hanover Square Press
18.99 US | 23.99 CAD


 

Book Summary:

How far would you run to escape your past?

 Venice Beach, Los Angeles. A paradise on earth. Tourists flock to the golden coast and the promise of Hollywood. But for eight strangers at a beach-front hostel, there is far more on their minds than an extended vacation. All of them are running from something. And they all have secrets they’d kill to keep…

This holiday-set read is a compulsive and addictive thriller, perfect for fans of T.M. Logan.


Buy Links:

Harlequin

BookShop.org

Barnes & Noble  

Books A Million

Amazon


Excerpted from The Vacation. Copyright © 2023 by John Marrs. Published by Hanover Square Press, an imprint of HarperCollins.

PROLOGUE

 

Venice Beach, Los Angeles

 

    “That’s her,” the driver yelled to the three men waiting in the rear of the transit van.

    He pointed a gloved finger in the direction of a slender woman walking along the sidewalk up ahead.

    “You sure?” a gruff voice asked. “It’s pretty dark out there.”

    The driver was very sure. He’d watched carefully as his target walked with purpose in her high heels. He recalled her appearance an hour earlier as she made her way up a stainless-steel pole before slowly, seductively descending.

    “Yeah, man,” he replied. “You don’t forget a pretty little ass like that in a hurry, even from this distance.”

    He was confident their mark was completely oblivious to her impending fate. She stopped suddenly, searching for something that was seemingly wedged in her clutch bag; the streetlamps and neon shop signs illuminated the glitter in her hair. The driver lifted his foot slightly from the accelerator and dipped the headlights as he continued to stalk his prey. Meanwhile, his colleagues slipped black balaclavas over their heads and adjusted their bodies into position—one knelt with his hand gripping the door lever, ready to open it on command; another held plastic restraints, and the third clasped a hunting knife with a serrated blade.

    “Ready?” the driver asked. They grunted in unison.

    The van sped up, but not so fast as to throw the hunters from the positions they’d rehearsed earlier that day. Then, as it pulled up alongside the woman, the door flew open and the first of her assailants sprang out.

    The man with the restraints was the first to reel backward into the vehicle as a bullet from her revolver tore its way through his shoulder blade, taking fragments of collarbone with it.

    For a split second, the flash from the gun’s muzzle illuminated the van’s interior as she pinpointed two more would-be assailants poised to drag her inside. Twice more she pulled the trigger; twice more she heard the men screaming. The driver remained rooted to his seat, baffled by how off-kilter their mission had suddenly gone. They had been so confident of its success that there was no Plan B.

    “Go, man, go!” yelled a desperate voice as another bullet found its target.

    Tires squealed as the van lurched forward, veering across the median and then crisscrossing back toward the sidewalk.

    A combination of adrenaline and fury propelled the woman to kick off her heels and run after it, firing twice more and shattering its rear windshield. The vehicle clipped an LA Times newsstand, hurling newspapers into the air; they fell like large chunks of confetti.

    She fired one last time, but the van had already corrected itself and sped off out of range. Then she watched in horror as that final shot sent a stranger up ahead, carrying a backpack, sprawling face forward onto the pavement.

    Time froze as the consequences of her last reckless bullet resonated.

    She had just killed an innocent tourist.


Author Bio:

John Marrs is an author and former journalist based in London and Northamptonshire. After spending his career interviewing celebrities from the worlds of television, film and music for numerous national newspapers and magazines, he is now a full-time author. His books include No1 bestseller and Netflix series The One, The Passengers, award winning What Lies Between Us and The Good Samaritan. Follow him at www.johnmarrsauthor.co.uk , on Twitter @johnmarrs1, on Instagram @johnmarrs.author and on Facebook at www.facebook.com/johnmarrsauthor.

Social Links:

Author website: https://www.johnmarrsauthor.com/

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Blitz Tour Stop/Giveaway: The Last Summerville by Annabelle Lewis

The Last Summerville Annabelle Lewis Publication date: September 1st 2026 Genres: Adult, Psychological Thriller, Romance, Suspense, ...