Psychological
Wordfare
Fiction writers are, first and foremost, writers. Our job is to
tell you a story.
But we're also part psychologist.
In order to write a good character, an author needs to get into
that character's head, find out what makes him tick, and most importantly,
discover his needs and fears. Testing a character's mettle against his darkest
fears is one of the best ways to get a great story out of him. This works for
any piece of storytelling. It's also a great way to bond your audience with the
character. If your audience cares about the character, they're more likely to
struggle and cheer right alongside him as he battles to win his quest. For the
purposes of this article, let's look at a few films. If you don’t want the
movies spoiled for you, it’s highly recommended that you have watched them.
Bonding with
the Audience
Example #1) Avatar (2009)
James Cameron's epic science fiction film takes place on a planet
so far into space that its visitors need to be put into a cryogenic sleep to
reach it. Like any science fiction film, it's full of creatures and
technologies far removed from our own. Even the main character is intended to
“suit up” into an alien body. Cameron realized that in order to make his
audience care about this character, it had to be about who he was, not what he
looked like. We are told that Jake Sully is not only a war veteran, but a
paraplegic whose twin brother was killed in a mugging. All of this is explained
in the first six minutes of the film, long before he is given his avatar body.
That’s some fast bonding, and it’s important to the character’s emotional
journey throughout the film.
Example #2) How to Train Your Dragon (2010)
Everyone loves an underdog. When you give that underdog a sense of
humor and curiosity that far exceeds anything his fellow Vikings have achieved,
it’s hard not to root for him. Hiccup meets challenges and ridicule not with
angst or backlash, but a refreshing wit that tells us the village’s mockery
won’t best him. It’s a vicarious look into who we all want to be—the guy who
meets opposition and has the moxie to rise above it. We know this smart, funny
character is going to have an adventure his village never dreamed of having.
Getting into
a Character's Head
Example #1) Die Hard (1988)
The first thing we learn about John McClane, a tough New York City
cop, is that he’s afraid of flying. This is a guy who likes a sense of control,
and he’s about to lose control in a big way. McClane is trapped in a building
whose occupants are held hostage over millions in bearer bonds. He’s unarmed,
unprepared, and without even his shoes. Over the course of the film, his
options dwindle away, bit by bit. He has to fight for every little win he gets.
He’s forced to walk over broken glass. He’s pushed to confront his fear of
heights and lack of control. He is reduced to a more and more savage version of
himself in order to face the escalating circumstances around him. It’s a
character degradation in the most amazing sense, and one of the reasons this
film is a perennial action favorite. By the end of the film, his iconic scream,
“Haaaans!” is proof that this man has had enough, and he’ll do anything to
finish this fight.
Example #2) Pretty Woman (1990)
What a character needs is just as powerful as what he (or she)
fears, and it’s often the subject of romantic stories. In this film, viewers generally mistake
Edward as the only one who’s missing something (compassion). But Vivian is also
in dire need of someone to value her. She is just as afraid of love as she is
in need of it (remember that she makes it a point not to kiss on the lips,
because that’s too serious). She has a history of being treated poorly, and
indeed, is mistreated by one of Edward’s colleagues and by the snippy workers
at a high-end fashion store. You can see her posture change during these
scenes, where otherwise, in moment of confidence, she walks tall. One of my
favorite scenes (and one for many, many other viewers) is her moment of
vindication where she walks back into that boutique, tall, proud, and confident
in how she puts those prejudiced workers in their places. This is a wonderful
example of being in a character’s head through not what she says, but what she
does.
Being
Human
The psychology of your character and his (or her) bond with your
audience are the keys to great storytelling. Fears and desires, loss and love
are what make us all part of the human condition. (If you’re looking for a
great shorthand list of what makes human beings tick, check out Maslow’s
Hierarchy of Needs.)
If you’d like to see an example of character psychology in Nicki’s
own work, check out FINDING HOME, available now for free at your favorite ebook
retailer. Happy reading!
FINDING HOME
Bovard Publishing
Women’s Fiction Short Story, rated G
Bovard Publishing
Women’s Fiction Short Story, rated G
Sometimes life's most tragic events help you find your way. When
Cecilia Marsh returns to Langley Mills, Wisconsin after the death of her
father, she rediscovers a town that hasn't forgotten her. Through a tapestry of
memories, she begins to understand that roots, while invisible, run very deep
indeed. An original short story and 2008 winner of the Rebecca Eddy Memorial
Award.
Amazon: https://www.amazon.com/dp/B07F1TDSLL
Smashwords: https://www.smashwords.com/books/view/870010
Smashwords: https://www.smashwords.com/books/view/870010
About
Nicki
Nicki Greenwood graduated SUNY Morrisville with a degree in
Natural Resources, which of course has nothing to do with writing novels. She
has also worked in a bakery, an insurance agency, a flower shop, and a doctor's
office, which have nothing to do with writing, either. She did spend an awesome
two years as an assistant editor for a publisher, and now does freelance
editing on the side. Nicki still holds down a day job, which manages to get her
out of the house once in a while. Since 2010, she has written eight novels,
including the award-winning Gifted Series.
Nicki lives in upstate New York with her husband, son, and
assorted pets. If you can't find her at her computer, you can always try the
local Renaissance Faire.
Contact Nicki using an of the links below. She’s on Facebook most
often, but she really digs Pinterest.
Website: http://www.nickigreenwood.com
Amazon: http://www.amazon.com/-/e/B00BAB3CFS
Facebook: https://www.facebook.com/Nicki.Greenwood.Author/posts
Goodreads: http://www.goodreads.com/nickigreenwood
Pinterest: https://www.pinterest.com/greenwood0798/boards/
Twitter: http://www.twitter.com/nickigreenwood
YouTube: http://www.youtube.com/user/nickigreenwood/videos
Amazon: http://www.amazon.com/-/e/B00BAB3CFS
Facebook: https://www.facebook.com/Nicki.Greenwood.Author/posts
Goodreads: http://www.goodreads.com/nickigreenwood
Pinterest: https://www.pinterest.com/greenwood0798/boards/
Twitter: http://www.twitter.com/nickigreenwood
YouTube: http://www.youtube.com/user/nickigreenwood/videos
1 comment:
Thank you so much for hosting me today! It was a pleasure to talk about character psychology with you. Happy reading!
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